Cast Blog: #ACTORSSTUDIO

Scarlet Fever

Sting's Greatest Hits!

The Magical 250th Episode

A Mad Mad Mad 'Mad Men'

Just Get Me There

Making History

The Eighteenth Season

'Inside' the Oscars

Cheers and Tears

A Surprising Discovery

Some Words About Some Music

What Is It Really Like?

Unforseen Pleasures

A Bloomin' Miracle

Some Midwinter Fireworks

The Joys Of Kitsch

A Parade Of Guests

How It All Started

The Horny Manatee

The Strike Is Over!

I Believe I Can Fly

My First Night In Paris

Christmas Past

What About Bob?

My First Blog. My First Confession.

Scarlet Fever

James Lipton shares his love for his beautiful wife.

April, spring ... and another blog.

Spring is my favorite time of year. I explain why in my book Inside Inside: I confess that I am hugely fond of beginnings and, by logical inference, averse to endings. I don't know whether this makes me an optimist or a pessimist, but I've long since reconciled myself to the fact that it's there and it's never going to go away.

April may be the cruelest month to Eliot, but to me it's the kindest, with its portents of spring, which is crammed with beginnings. Of holidays, I enjoy Memorial Day because it officially begins the pleasant summer season, and dislike Labor Day because it ends it. Thanksgiving is welcome because it begins the Christmas season, of which I confess to being inordinately fond, and I'm resistant to the compulsory joy of New Year's Eve, because it ends it.

This affection for beginnings has had a predictable effect on my preferences. Though I should know better than to invite comparison with my betters as I begin my own literary effort, I confess to unbridled admiration for the blunt simplicity of "Call me Ishmael"; the instant dramatic engagement of "It was the best of times, it was the worst of times"; the authorial certainty of "Happy families are all alike; every unhappy family is unhappy in its own way"; the ringing challenge of Donne's "Go and catch a falling star,/Get with child a mandrake root"; the quiet fury of Yeats' "Turning and turning in the widening gyre/The falcon cannot hear the falconer;/Things fall apart; the center cannot hold;" the stately opening chords of Tchaikovsky's Serenade for Strings, which greet us not with the C-major tonic but with a submediant A minor chord, as if the boat had left the dock without us, and we had no choice but to jump in and swim after it; the ominous minor key (verbally and musically) of Irving Berlin's "There may be trouble ahead," before he shifts jubilantly to a major key for "Let's face the music and dance!"

As always, I'm grateful to all of you who have responded to my blog. Jennie Christian, you ask whether the fact that your answers to the Pivot Questionnaire change from time to time is "a bad thing." Not at all. My answers sometimes change, too. The Questionnaire is designed to reveal a current state of mind, so, of course, the answers change.I hope you continue to answer it. L Kelly, in answer to your wish, the Robin Williams Inside the Actors Studio DVD is about to burst upon the world -- with forty minutes more of never-before-seen-or-heard Robin. My wife's name is Kedakai, and Jenny has asked how it's pronounced. The first syllable, which is accented, rhymes with "bread," the second rhymes with "Uh," and the third rhymes with "sky." It means "noble" in Japanese, which I find entirely fitting.

In fact, Kedakai is half Japanese and half Irish, which may explain her extraordinary beauty. You don't have to take my word for it. There are photographs of her in Inside Inside that make the case far better than any words of mine.

One photo is of a famous nude portrait of Kedakai, painted for a Paris Review poster by the artist Paul Davis. As I say in the book:

The poster hangs in the Plimpton salon on East Seventy-second Street, and in our home, and on the wall at Elaine's Restaurant, next to a bust of George, in a memorial to our departed friend. Elaine usually seats my guests and me at the table under it, where I preside beneath my wife's graceful form with understandable pride. There is another photograph of Kedakai in Inside Inside that has occasioned as much comment as anything else in the book. It's a card from the famous board game Clue on which Miss Scarlet, holding a long cigarette holder, glances seductively at the bearer of the card. Miss Scarlet is in fact my wife, Kedakai. Literally. On the card and the cover of the Clue box. As I wrote in the caption under the card: How many men can claim to be the husband of Miss Scarlet? It's unnerving, however, to discover that your wife committed the murder in the library with the candlestick. There's a lot more about Kedakai in the book. Thanks, Jenny, for asking how to pronounce her name. It gave me this opportunity to brag about her again.

The Magical 250th Episode

James lets you know how you the viewer can shape the show's record-shattering episode.

The amazing journey of Inside the Actors Studio continues at an accelerating pace.

Consider:

We are entering our Nineteenth Season, shattering our own record for cable TV longevity.

We have received out fifteenth Emmy nomination, another record.

We are celebrating these milestones with yet one more record: our 250th Episode.

And just to add another layer of icing to the cake, this will be an Inside the Actors Studio episode unlike any of the preceding 249.

Why? Because this time, you, our viewers in 94,000,000 homes across America on Bravo, and in 125 countries around the world, are going to cast it.

Over the years since 1994, we've had thousands of viewer responses to the show, on the internet, in the media and even -- and often -- on the street and in every conceivable public space, where I'm approached by kind strangers with, "My favorite show was. . ." "My favorite moment was. . ." "My favorite guest was. . ."

So, when my Bravo colleagues and I gathered around a table to ask ourselves, "How do we celebrate the 250th?" we realized the answer was staring us in the face: "Let's let those good people who have shared this amazing journey with us take over and pick the best moments, episodes, and guests of the past eighteen years, and we'll reprise them on the 250th, with full on-air credit to the viewer whose proposal we've selected."

Victor Hugo said, "Nothing is as powerful as an idea whose time has come" and clearly this is an idea whose time has come.

And the social networks of cyberspace, another idea whose time has come since we began the series, enable us to reach out to. . .you out there, wherever you are and whatever you think.

So we invite you to share your all-time favorite moment, guest or episode, and the reason for your choice, by commenting here at Bravotv.com, on Bravo’s Facebook page, or on Twitter using the hashtag #IAS250. If we choose your response, it will be read on the show, as the introduction of the moment, guest or episode you’ve proposed, signed and certified by you.

It’s as simple as that: you, our viewers are the casting directors of this historic 250th episode -- and your wishes will be our commands.

We await your responses and decisions. Then you and your friends and family can gather before the electronic hearth later this fall to watch an unprecedented cavalcade of stars, chosen -- and presented -- by YOU and your fellow viewers.

In the meantime, happy reminiscing. We’re sure this will be our best show ever because it’s now in your capable hands.