Chris disappointed me. I loved his inspiration: an 18th Century portrait of the Marquise D'Argence by Nattier. What evolved out of that inspiration was, in my opinion, a mere riff on the avant-garde dress of his and Christian's collaboration. Chris used yards and yards of duchesse satin in pearl gray for the body of the floor-length gown and used a darker gray satin for a shoulder-piece-cum-collar. Then, he took a nap. I was annoyed. I was annoyed, because the shoulder piece was so derivative of the earlier dress and the gown wasn't taken far enough. And I was annoyed, because there was plenty of time remaining to fix either or both. No -- he was content. Sigh. Chris, I can't want you to succeed more than you do, and it was evident that I did.