Cast Blog: #PROJECTRUNWAY

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Episode One: We're Off!

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Kenley Blogs Episodes 510-514

On The Road

The Real Winner

The Final Showdown

Leanne Speaks!

Finale, Part 2

What's Next

Tim Responds To Your Comments!

Love Is In The Hair!

History Repeating Itself

Garden Of Locks

Nature Calls

Rock 'n' Runway

Rock Steady

Rock N' Runway

Suede: Rockin' Out

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Take A Bow

Transformation

Joe: Straight Talk

Working Girl

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Best Of The Best?

Written In The Stars

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What's Your Sign?

I Saw The Sign

A Designer's Dream

Fashion Inside Out

Stella: Lovin' The Leatha

Double 0 Fashion

No Leatha, Mo' Problems

Making The Most Of It

The Fashion That Drives You

A Softer Edge

Fasten Your Seat Belts

Show Some Love

It's All An Illusion

Daniel: Oy Gevalt!

Good Queen Fun

Drama, Drama, Drama!

Joe: All Aboard!

RuPaul: A Drag Race

Episode One: We're Off!

One by one, each designers outfit reviewed!

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And we're off! The fifteen season four designers have arrived, settled into their apartments, and are presented with their first challenge. They meet Heidi and me in Bryant Park (home of Mercedes Benz Fashion Week) where Heidi gestures to three tents at the opposite end of the park and declares that they are the source of the designers' materials for this challenge.

The tents are constructed out of $50,000 worth of fabrics donated by our favorite fabric resource, MOOD. The designers have ten minutes to collect as much fabric as they can. Then we will return to the workroom at Parsons where they will have until 1:00AM to design and execute a garment that demonstrates their philosophy and point of view.

So, here goes: 
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Rami WINS! Rami unequivocally showed us who he is as a designer: modern yet classic, romantic yet restrained, and with elegance personified. His silk georgette one-shouldered gown in a rich gray was all about the drape, and his draping is nothing short of magnificent. Lest anyone project that season four will belong to Rami, let me remind loyal viewers that the winner of the first challenge has never won the season - yet. rate_runway_14_401.jpg

Simone is OUT. I do not dispute Simone's talents as a designer: she's excellent. Her undoing was all about inadequate construction. Was I a fan of her garment design? Not entirely, but we can debate its conceptual quality and relevance. We cannot debate the construction; poor workmanship abounded. Furthermore, she didn't have time to set in the dress's zipper(!). Watching her design walk the runway was painful. I merely hoped that her own exit would be quick. It was. rate_runway_09_401.jpg

Carmen was the only designer to use a pant and I applaud her for it, because she gave herself a big challenge and an even bigger risk: fit. Her black pant offered a sleek and minimal counterpoint to the exuberance of the top pieces - a gold shrunken jacket over a floral blouse. It wasn't for everyone, but I found it to be stunning. rate_runway_05_401.jpg

Chris, this season's designer with a costume background, definitely presented fashion. It was a red carpet worthy gown in aubergine silk charmeuse with a large waistband and halter-top in an olive print. His model held the fishtail train on the runway, giving the dress an elegance and distinction that it deserved. Bravo. rate_runway_02_401.jpg

Christian created a bishop sleeve shrunken jacket using a Glen plaid in silk satin. This was paired with a taupe, asymmetrically pleated bubble skirt. I loved certain aspects of the jacket - the silhouette, proportions, and the dynamic chevron created by the matching of the plaid at the back center seam, but I was confounded by the print's mismatch elsewhere. Given the large scale of the plaid, the mismatching was discordant to me and begged the question, "Why match it at all?" since the meeting of the plaid in the back was so precise. Furthermore, the construction of the skirt eluded me. But the judges loved the look, so look out for Christian! rate_runway_13_401.jpg

Elisa is going to be very interesting to watch, but perhaps for reasons other than...we'll see. She designed an azure jersey gown with a gorgeous silhouette, an excellent fit, and superb finishing. That given, why did she believe that a long poorly finished train in a riot of colors and textures would enhance the gown? I didn't understand it. And her model was almost crippled from a series of trips and falls both backstage and on the runway. In spite of Elisa's strong commitment to her work, a dysfunctional design is a dysfunctional design. rate_runway_03_401.jpg

Jack presented a black on white floral print skirt paired with a halter top with an azure waistband and halter-strap accents. It was fresh and youthful and I wish I had more to write about it. Later, Jack. rate_runway_01_401.jpg

Jillian is clearly her own muse: witness the adorable outfit that she designed and wore to her initiation into the New Gotham apartments. For this challenge, she created a halter dress with an exuberant bubble skirt and a sleek fitting top. The slight contrast in the hues of red that she chose for the skirt and the top infused the design with a healthy tension. I surely understand who she is as a designer and am very pleased for her success, but I wonder how her point of view will continue to be demonstrated as the season progresses. That's a roundabout way of saying, "Don't bore Nina!" rate_runway_04_401.jpg

Kevin designed a strapless dress in black chalk-striped wool cut on the bias. He created a visual punch with a band of red satin protruding from under the skirt and above the breast-line. A silver obi was the piece de resistance and an ambitious addition. I'm eager to see what lies ahead. rate_runway_07_401.jpg

Kit is admittedly avant-garde. She is determined to push the metaphorical envelope, and I suspect that it will be a cold day in hell when she sends a classic shift down the runway. Her design for this challenge was anything but, but what was it? A black and white flower print dress (or was it a skirt and a top?) with a red, one-shoulder bustier cum harness. I get it, but I had difficulty with the proportions, not the concept.

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Marion is quick to declare that he's a flower shop owner, which sounds almost self-deprecating given that he's here for fashion. I know that he's educated as a fashion designer (class of season three's Robert Best at Parsons) and worked in the industry. So who is he as a designer? For this challenge, he created a black lace top over an olive skirt. The top was quite elaborate and beautifully constructed. The skirt consisted of large asymmetrical panels and felt very sculptural. I found the amalgam of skirt and top to be discordant, as though they belonged to entirely different customers. Still, I believe in Marion's vision and am eager to see what's next. rate_runway_11_301.jpg

Ricky has an extensive background as a lingerie designer and it shows in his understanding of the importance of workmanship: details and finishing. His design was all about the workmanship. I admired the construction and the flawless manner in which he used a scalloped lace trim to enhance the effect of the black and silver striped dress. The microcosm worked, but from a macro perspective, the dress was very, very basic, and perhaps too basic. Still, his execution won out - for now. rate_runway_08_401.jpg

Steve designed a classic black suit with an edge. The pencil skirt was beautifully proportioned, as was the corresponding jacket with over-scale, fabric covered buttons. The jacket's cut and silhouette brought to mind a modified peplum, which was just enough of a retro nod to give it an element of surprise. Worn with an effortlessly tied red scarf, the look was chic and sophisticated. rate_runway_10_401.jpg

Sweet P is very much about surfaces: textures, patterns, embellishments. That can potentially speak to excess, but she knows how to practice restraint. Her design for this challenge was a dress in a textile consisting of circles of eyelet embroidery over a red underskirt. Wisely, she chose a simple silhouette. I found the wide baby-blue straps of the dress to be an element of surprise. Sweet P will be interesting to watch. rate_runway_12_401.jpg

Victorya was one of the six designers left on the runway for the further deliberation of the judges - "the three best and three worst," as Heidi says. I have to admit to scratching my head about into which category Victorya fell. Her design wasn't bad, but it was so very, very basic, not unlike Ricky's: a black shift with a single and large silver floral embellishment. I'm not opposed to the look, but I'm not swooning, either. So if Ricky is one of the "three worst," then why is Victorya....? Oh, shut up, Tim.

PS Why so many baby doll dresses? (And what happened to the term, "empire waist" for this kind of design? I'm showing my Old-Fogieness.) Why? Because this form of design is a sure thing when it comes to fit. The same is true of halter tops, of which we had a profusion.

Tim Responds To Your Comments!

Thoughts and explanations about this season of Project Runway.

Tim I love you! But I have the same question ... why is Kenley still there?? -Yaz
Oh, Yaz, I know, I know. Although she can be terribly annoying, Kenley is indisputably talented as a designer. Regrettably, for her, she seems incapable of listening to any feedback without assuming that it's an attack on her character. Had she attended a design school (she's self-taught), then the critique process that she would have experienced would have either killed her or cured her.

I want to put in an official question to Tim...Ever since season one, all he's wanted is the best for his designers. He's given them all the help that he can, and I think of him as such a kind, sweet man. I used to be a Kenley fan (every season has its "Attitude" member...Wendy, Santino, Jeffrey, Christian...) but I've never seen anyone be so completely rude to Tim - who does nothing but help her!!! Tim, how did you react to this rudeness? Was it difficult to keep on giving her constructive feedback? - Charlotte Bailey
Charlotte, years of teaching (29 to be specific) have given me resources to draw upon and bucket-loads of patience, but there are some individuals who test even my arsenal of diagnostic measures and metaphorical prescriptions. Kenley is certainly one of them. I feel like you do; That is, I'm only trying to help her. But I have a refrain that's appropriate for these circumstances: I can't want you to succeed more than you do. And in the end, it's important to take the high road and not let these individuals know to what extent they're pushing your buttons. Furthermore, and drawing upon my teaching experiences, again, I know that I hold the power in these circumstances, and there is absolutely no need to abuse it. Ever.

Sometimes I'm shocked by the judges' picks. They have picked a few items that no one I know would ever wear! What do they base their choices on? - Debbie
Oh, Debbie! I wish you could be with me in the literal and metaphorical darkness of the Parsons auditorium as I watch the judges' deliberations! Like you, it's infrequently that I can anticipate the judges' decisions. Who's going home? Who's out? Beats me. When the designers' looks on the runway are well executed, then the decisions become a matter of taste. What are Heidi's, Nina's, and Michael's proclivities on any given judging day? I can't begin to answer that question. Chacun a son gout.

There were comments that there are several options to the traditional jacket/skirt suit for interviews. Anyone have appropriate ideas for more creative business wear? I wish they would have elaborated on that comment! - Melissa
Melissa, you're right; there should have been some examples given. Whenever I talk about a woman's alternative to stuffy menswear tailoring, I cite Donna Karan, who redefined executive dressing for women going back to the mid-'80s. It was Donna who took those basic pieces - jackets, skirts and pants - and made them sophisticated and, yes, sexy. She achieved the latter by showing off the curves that women possess, not by trying to obfuscate them under boxy separates. There is no reason for a woman, under any circumstances, to dress like a man.

What exactly is the point of this 4 designer showdown? I mean, come on, what was the point of last night's show anyway if the judges couldn't make up their minds and boot off the least deserving designer? - Amelia
Um..., uh...it's this flavor of question that gets me in big trouble because I agree with you! I feel that it's unkind and even mean spirited to victimize one of the designers, because the judges were unable to render a verdict at an earlier time. If they can't decide, then they should accept responsibility for their indecision and allow four designers to present at Bryant Park.