Catching Up

Back from Australia, Real Housewife of NYC Alex McCord recaps the last three episodes.

Allllrighty — back from Australia, very jetlagged, and catching up on three episodes before the winner is announced tonight!! I was sort of sorry not to see any t-shirt mini challenges as I’m in need of inspiration. After washing my favorite t-shirt several times, it still smells of the koala I carried around last week for the amusement of the men in my family. It was damp and also kept trying to grab my nose. Hmmmph.

Episode 9 – was kind of bored through the sleepwear and the tarot cards. Having experienced a tarot card reading on TV as well, I think that even if you are with a reader who is truly gifted, it’s hard to get an accurate reading on camera — there’s so much going on around you and such a strong desire on the part of the reader to create a good impression that it can easily be skewed. However, it can make good foreshadowing when edited right! LOVED Reco’s look and would buy it; Anna’s too and I’m so glad she won that week — she really deserved to. The only ones I wouldn’t wear out of this episode were Merlin’s or Daniella’s, and although he was not the weakest designer of the bunch, due to that garment Merlin definitely had to go home.

Moving on to Episode 10 – I loved the draping challenge, and thought pretty much everyone but Johnny did a good job. I got really excited when I saw the Swarovski crystals and couldn’t wait to see what the designers did with them. It was really great to see some of the designers come back, and I was so happy to see Anna and Keith teamed together — I think her look was very Anna with a little bit of Keith splashed in. My favorite detail was the usage of crystal on the inside of the bow, and although I thought using the cup detail two weeks running was risky, it didn’t matter in the end. Daniella’s neckline was stunning and I’d happily wear it. I sort of wish that the skirt was a little more tailored but I don’t know how you’d do that with that fabric.  Reco’s dress was cool and sexy; I’d choose that for a day into night sort of affair, where the red carpet is in daylight so you can see through the dress. I was really disappointed by James-Paul’s, but he’s a great designer overall so I think this was his week to try something and fall on his face. It was too princess-y for my taste, which was really surprising as I wouldn’t have thought he’d ever go that way. I have to say that I actually would wear Johnny’s dress, but once I saw the Lanvin dress he’d referred to, plus his sulky, cover-your-tracks, blame it on Angel sort of behavior, I knew he had to go. Come on, even my five-year-old rarely acts out that much when I catch him red-handed. And finally, it’s safe to talk about the finale show! As we filmed it several weeks ago, Merlin and Johnny created collections too so as not to give away the last two eliminations. I loved Merlin’s fabulous attitude — his collection was costumey and completely over the top but in a fun way.  I was surprised to see Reco’s collection that day, but of course only saw the lead-up of his fitting trouble last night when watching the episode. It was unexpected that his collection fell as flat as it did — I really loved the teal coat but that was about it. My guess would be that it was easier for him to concentrate during the season when he was living and breathing work, and perhaps when he went home to create his looks life got in the way? Anna’s collection was fantastic, and I actually didn’t get the disparity Fern and Isaac mentioned. While the people in the painting she used for inspiration are actually all naked, the colors are quite varied, and I thought each one of her looks evoked the feel of the painting. I also think that it’s possible to go too far and have every look within a collection be too similar, so the judges’ concern didn’t worry me too much. I loved both Daniella and James-Paul’s collections although they seemed similar — I think that was a coincidence. The chain mail detail really wowed me; I’d happily wear most of her looks. Since I was out of the country during the voting period I was not able to vote, but if I had I would have voted for James-Paul. I’m not sure whether America will agree with me — some people may have thought it was too avant-garde but I thought his designs were innovative and exciting.  All three of these guys should be able to go on to commercial success; for that matter, every contestant can. Can’t wait until tonight when the winner is announced!

Mommy Dearest

Stefan explains his process for creating the final fashion shows, including an inspiration that almost didn't happen.

So at the end of it all, two designers from The House of Emerald Syx are left standing, with dueling red "tribute" gowns, for the win! With the chaos, twist, and turns thrown at these designers, the message from Calvin, Dominique, and our winner Jeffrey was peace, calm, and self-reflective.

Fashion Show #1: Enchanted Forest

My consult with Calvin was very touching because he spoke very deeply and passionately about his dying lover of ten years. While showing me his collection and mood boards (which only had one beautiful picture of a misty forest), he told me that his finale gown would be a tribute to his partner and to the Gay Men's Health Crisis, hence the color red.

Speaking calmly, he said he wanted his fashion show to reflect his journey through this competition from being an angry person to someone more agreeable (though most would beg to differ). I truthfully never saw Calvin as angry…he's just direct and brutally honest (which can feel borderline abusive at times) in his want for things to be as amazing as possible (though that yellow dress from the first day was questionable). At this moment, Calvin became very childlike to me so I thought to make his show into a fairytale of sorts set in the woods.

Using his personal journey and single misty forest image, I created a montage of woods imagery that started with a dark, foggy, moody, leafless forest and end with a lush, sundrenched, green jungle of life that became the perfect backdrop for his red gown (the back of which was gorgeous). I had the models walk through a path of Kara Walker-inspired trees and low looming fog to the sounds of pianos and music box tunes. For a humbling feel, I had the runway covered completely in burlap, which the art team hand sewed together with thick black yarn…it was well worth it! The details of the runway were beautiful and matched the dreamy elegance of Calvin’s final collection.

He and I agreed that the staging should not be as antagonizing as the zombie, barefoot show from the challenge before, though Calvin may have wanted to do something slightly more aggressive if given another chance. I'm glad we stuck with this tone because I believed it charmed the judges and almost got Calvin the win. Fashion Show #2: City Slicker

Dominique, the last surviving member of Nami, was also self-reflective during my consult with her. But unlike Calvin, her journey ends in chaos. She wanted her show to be all about her a naive, innocent arriving in NYC and entering this competition with beautiful jazz-style music in her head (well, iPod) and leaving with static, noise, and confliction (could David have had anything to do with this?).

I was impressed with Dominique’s ambitious ways during the whole competition and her willingness to try new things, like making her own plaid and deconstructing those umbrellas to create a chic sheath dress. One of the pieces Dominique made that she edited out of her final collection was a tangled wired bustier and ankle cuffs that were a cool, modern touch to her slouchy chic (which I love) silhouette.

Dominique show was the most fun to build because I focused on NYC and the fast-paced vibe here. I opened her show with city sounds set to jazz, which then exploded into techno rhythms. The models were lined up in a power stance behind the LED screen as footage of the subway whizzed by (Glenda Bailey loved this). I then had imagery similar to the of old-fashioned TV static sliced into the all the footage, with the final shot of the TV (and noise) being shut off as the model exited. Her runway was a city sidewalk with grates built in (the choreography was vital here, so the models heels would not get stuck in the grates…kind of like real city life). At the model entrance I designed a wire-filled structure that was inspired by her wire bustier (which never saw the light of day). My favorite moment in her staging was the night surveillance images I sourced with the guy shadowing the model on the catwalk…so eerie, so New York!

Fashion Show #3: Mommy Dearest

Jeffrey's fashion show was the toughest of them all because his journey was inspired by his late Mother’s presence, and I had to be respectful of that. He showed me mood boards of doves and red stains the resembled blood. Then he told me the story of his now famous red gown that was designed with his Mom in mind. After my first consult with Jeffrey, I left with thoughts of heaven in my mind…would it be about angels on clouds and golden gates?

But Bravo exec (and mega sounding board) Lara Spotts, made me examine closely what heaven would truly represent to our Jeffrey. So for my second consult with him (I always had two consult with the designers before the big show), I questioned Jeffrey about his show again (he loves a chic power woman) and what heaven represented to him. While he was talking I noticed a whole other board that he never shared with me with imagery of Buddhist monks and temples. I grabbed the board, and told Jeffrey that his show would be inspired by Buddhism...freedom from suffering, Nirvana. He agreed and went back to sewing (his collection was so far behind to the point that I was worried for him).

I fine tuned Jeffrey’s presentation up to the last minute as to capture the perfect mood for his collection, because I did not see the clothes till the models were dressed. Everything looked stunning on the girls! Once I saw the hair and makeup (Mally did a stellar job) complete I thought his show needed air, so I simplified everything and had the models trot through a grey ash filled catwalk (which captured a smoky, saintly atmosphere) as if they were entering a temple. The ash would also give a more deconstructed look to his pure clothes especially on the clothes with longer hemlines (some still with raw edges). Plus Jeffrey patiently handed painted all the models shoes with white paint (as if he did not already have enough to do) so the chalky ash looked great and modern (very Rick Owens meets Donna Karan).

I had the art team paint the symbol for the word PEACE on the runway and we built a candle filled alter at the bottom of the catwalk for an OM SHANTI feel. As I had the model posed on the stage for a final tableau, I asked our lighting guy to shine one perfectly bright beam of light on the group of girls for a heavenly glow.

And it all worked! Guest powerhouse judge Mary J. Blige could not stay in her seat… she loved it so much. And Jeffrey won!