In A Nutshell

Iman discuss this week's wince-worthy episode, and admits she's lost a few garments in her wilder days.

Bravo: With a lost and found challenge, were you hoping for these sort of ridiculous materials outfits, like Dominique’s, or did the materials not matter as much as the message?

Iman: Definitely not the materials as they were hostage to what they found in the "lost/found," but how creative they can be and how sharp they are with their execution, and Dominique was a good example of a great creative mind.

Bravo: You were none to pleased with the results this week, and with good reason. What do you think went so terribly wrong?

Iman: It challenged them to think creatively out-of-the-box and they didn't hit the mark. Caesar is becoming a little bit like Calvin in being dictatorial. He is cracking under his own self-importance. I would never have said this before--that he should have listened to Cindy--but in this case he should have. He claimed that bathing suits are easy to design, but they became his downfall. Also, the use of too many accessories was this house's kiss of death, because these were cheap looking accessories.

Bravo: The only real bright spot this week seemed to be Dominique’s dress. What about it did you guys like so much?

Iman: Dominique's dress was young and fresh, and the trench was beautifully made.

Bravo: Dominique did manage to save the House of Nami, but what did you really think of the rest of their collection? What would have been on the chopping block without her help?

Iman: Their collection was too forced and wasn't cohesive, with the exception of the colors, and Calvin didn't design well this time around. I have to say that the palette hid lots of imperfections both from design and the materials point of view, so they were smart by choosing that. The magic of black is that it is forgiving...although i don't know how intentional that was! One of Calvin's outfits would definitely have been "out of fashion" if they lost.

Bravo: Calvin has been hovering near the bottom for weeks, but he does keep churning things out that have some value to them. What is it that saves him time after time?

Iman: Fashion is not pretty all the time, sometimes it is challenging and makes you notice it by being avant garde and different. That's what has been the strength of Calvin so far, but he has to bring the quality of his technique and finish the garments better or he will not survive another episode. He should spend the time that he walks around the studio criticizing others finessing his own garments.

Bravo: Have you ever lost, or found, an amazing piece of clothing? Any couture jackets left behind somewhere?

Iman: I am sure that I have left behind some amazing jackets (maybe even more, ha ha ha!) during my louche and naughty Studio 54 raves!

Bravo: Ultimately this week it came down to over and under delivering. Why did the judges decide that David's over-accessorizing was more egregious than Cesar’s multitude of missteps?

Iman: There is no comparison as designers between Cesar and David. Cesar is much more accomplished. David has not been producing well, and he had a lot of help from the other designers through all the episodes and you can see he is way out of his depth. He came off as an amateur and all this talk about "pecans" may serve him well on Top Chef but not on The Fashion Show!

Mommy Dearest

Stefan explains his process for creating the final fashion shows, including an inspiration that almost didn't happen.

So at the end of it all, two designers from The House of Emerald Syx are left standing, with dueling red "tribute" gowns, for the win! With the chaos, twist, and turns thrown at these designers, the message from Calvin, Dominique, and our winner Jeffrey was peace, calm, and self-reflective.

Fashion Show #1: Enchanted Forest

My consult with Calvin was very touching because he spoke very deeply and passionately about his dying lover of ten years. While showing me his collection and mood boards (which only had one beautiful picture of a misty forest), he told me that his finale gown would be a tribute to his partner and to the Gay Men's Health Crisis, hence the color red.

Speaking calmly, he said he wanted his fashion show to reflect his journey through this competition from being an angry person to someone more agreeable (though most would beg to differ). I truthfully never saw Calvin as angry…he's just direct and brutally honest (which can feel borderline abusive at times) in his want for things to be as amazing as possible (though that yellow dress from the first day was questionable). At this moment, Calvin became very childlike to me so I thought to make his show into a fairytale of sorts set in the woods.

Using his personal journey and single misty forest image, I created a montage of woods imagery that started with a dark, foggy, moody, leafless forest and end with a lush, sundrenched, green jungle of life that became the perfect backdrop for his red gown (the back of which was gorgeous). I had the models walk through a path of Kara Walker-inspired trees and low looming fog to the sounds of pianos and music box tunes. For a humbling feel, I had the runway covered completely in burlap, which the art team hand sewed together with thick black yarn…it was well worth it! The details of the runway were beautiful and matched the dreamy elegance of Calvin’s final collection.

He and I agreed that the staging should not be as antagonizing as the zombie, barefoot show from the challenge before, though Calvin may have wanted to do something slightly more aggressive if given another chance. I'm glad we stuck with this tone because I believed it charmed the judges and almost got Calvin the win. Fashion Show #2: City Slicker

Dominique, the last surviving member of Nami, was also self-reflective during my consult with her. But unlike Calvin, her journey ends in chaos. She wanted her show to be all about her a naive, innocent arriving in NYC and entering this competition with beautiful jazz-style music in her head (well, iPod) and leaving with static, noise, and confliction (could David have had anything to do with this?).

I was impressed with Dominique’s ambitious ways during the whole competition and her willingness to try new things, like making her own plaid and deconstructing those umbrellas to create a chic sheath dress. One of the pieces Dominique made that she edited out of her final collection was a tangled wired bustier and ankle cuffs that were a cool, modern touch to her slouchy chic (which I love) silhouette.

Dominique show was the most fun to build because I focused on NYC and the fast-paced vibe here. I opened her show with city sounds set to jazz, which then exploded into techno rhythms. The models were lined up in a power stance behind the LED screen as footage of the subway whizzed by (Glenda Bailey loved this). I then had imagery similar to the of old-fashioned TV static sliced into the all the footage, with the final shot of the TV (and noise) being shut off as the model exited. Her runway was a city sidewalk with grates built in (the choreography was vital here, so the models heels would not get stuck in the grates…kind of like real city life). At the model entrance I designed a wire-filled structure that was inspired by her wire bustier (which never saw the light of day). My favorite moment in her staging was the night surveillance images I sourced with the guy shadowing the model on the catwalk…so eerie, so New York!

Fashion Show #3: Mommy Dearest

Jeffrey's fashion show was the toughest of them all because his journey was inspired by his late Mother’s presence, and I had to be respectful of that. He showed me mood boards of doves and red stains the resembled blood. Then he told me the story of his now famous red gown that was designed with his Mom in mind. After my first consult with Jeffrey, I left with thoughts of heaven in my mind…would it be about angels on clouds and golden gates?

But Bravo exec (and mega sounding board) Lara Spotts, made me examine closely what heaven would truly represent to our Jeffrey. So for my second consult with him (I always had two consult with the designers before the big show), I questioned Jeffrey about his show again (he loves a chic power woman) and what heaven represented to him. While he was talking I noticed a whole other board that he never shared with me with imagery of Buddhist monks and temples. I grabbed the board, and told Jeffrey that his show would be inspired by Buddhism...freedom from suffering, Nirvana. He agreed and went back to sewing (his collection was so far behind to the point that I was worried for him).

I fine tuned Jeffrey’s presentation up to the last minute as to capture the perfect mood for his collection, because I did not see the clothes till the models were dressed. Everything looked stunning on the girls! Once I saw the hair and makeup (Mally did a stellar job) complete I thought his show needed air, so I simplified everything and had the models trot through a grey ash filled catwalk (which captured a smoky, saintly atmosphere) as if they were entering a temple. The ash would also give a more deconstructed look to his pure clothes especially on the clothes with longer hemlines (some still with raw edges). Plus Jeffrey patiently handed painted all the models shoes with white paint (as if he did not already have enough to do) so the chalky ash looked great and modern (very Rick Owens meets Donna Karan).

I had the art team paint the symbol for the word PEACE on the runway and we built a candle filled alter at the bottom of the catwalk for an OM SHANTI feel. As I had the model posed on the stage for a final tableau, I asked our lighting guy to shine one perfectly bright beam of light on the group of girls for a heavenly glow.

And it all worked! Guest powerhouse judge Mary J. Blige could not stay in her seat… she loved it so much. And Jeffrey won!