Let's Twist Again

Rising to the Challenge

Mommy Dearest

Red Red Whine

The Creative Process

Hail the Virgin Queen

Doing It Big

Ultimate Dressmaker Collection

Captain Planet

The Kids Are All Right

Accessories in the Attic

Beige is Boring

The Hungry Ruffle

More Is More

Blushing Brides

The Love Float

Finding Your Key Light


The End of the Affair

Two Sides of NY

Jersey Shore Moment

The Island of Lost Handbags

In A Nutshell

Attention Upper East Siders

The Greatest Show in the World!

Banana Drama

Life Finds A Way

Shrinking Violets

Plaid in Space

Message in a Bottle

Sad for Plaid

Color Coordinated

Suffocate with Love

In Noir and White

Welcome to the Fun Haus

Lethal Women

It's a Camp-tastrophe

Disappointing Duplicity

Inside Out Man

I'm Still In Love

Peace Out

Let's Twist Again

Iman discusses this week's big twist, and her thoughts about Cesar's talents.

Bravo: This week, we're down to the final four designers, and it was their last time working as houses. What did you think of the final four, were you surprised with who made it and how the houses evolved?

Iman: There were definitely surprises, especially who didn't make it to the finale as opposed to who did.

Bravo: This challenge to design something based on earth, wind, and water. What did you think of the designers' earthy inspired looks?

Iman: I think this ethereal challenge was a difficult one to pull off, but it lent itself to be a great spectacle of a fashion show

Bravo: The winning house was Nami, with their tan and black, avant garde collection. Why did you guys find it so successful?

Iman: It was experimental, arty, edgy and conceptual...something that no one has done so far in this show. The choice of colors was chic and the fabrics looked expensive, especially the camel color. Their show concept was theatrical, yet executed beautifully. It was fashion show as conceptual eye candy.

Bravo: Despite the House of Nami's win, Calvin's pregnancy dress was obviously a bit problematic. Why did you guys choose to ignore that misstep, and what did you really think about?

Iman: Seated where we are, we see everything upclose...the good, the bad, and the ugly--and this particular "pregnant" dress was a bad! But one bad dress doesn't kill the collection. We didn't want to throw out the unborn baby with the bath water so to speak! Say, what you may about Calvin but he came up with the winning concept.

Bravo: What about the House of Emerald’s collection, what did you think of Cesar and Jeffrey's looks?

Iman: Ceasar overextended himself. He really needs to learn how to edit and use his time constructively. Nevertheless he is an accomplished designer, and Jeffrey had good dresses and bad ones but overall it was a weak collection. We were very impressed with Jeffrey's "redo."

Bravo: You guys pulled a major twist by having the final two designers revise their outfits, what did you think of the work that they did in that time?

Iman: I have to say I was not a fan of that final twist--45 minutes to do a redo? Are you kidding me!? It was nerve wracking, but it was also good TV.

Bravo: Cesar was ultimately the one sent home this week. What did you think of his work throughout the season, and particularly in this challenge?

Iman: Ceasar is a master at a lot of things, not only as a dress-making technician but the man's hand painting technique is genius! I think this is is just an intermission for him, and he will go far regardless of us. I am glad that this show has showcased his exceptional talent.

Bravo: Give us a hint about the finale next week, what can we look forward to?

Iman: It's a tour de force from the winner! You will be amazed! And I am proud to see the winning designer create The Ultimate Collection. We are very proud and can't wait to see where this designer is headed in the future.

Mommy Dearest

Stefan explains his process for creating the final fashion shows, including an inspiration that almost didn't happen.

So at the end of it all, two designers from The House of Emerald Syx are left standing, with dueling red "tribute" gowns, for the win! With the chaos, twist, and turns thrown at these designers, the message from Calvin, Dominique, and our winner Jeffrey was peace, calm, and self-reflective.

Fashion Show #1: Enchanted Forest

My consult with Calvin was very touching because he spoke very deeply and passionately about his dying lover of ten years. While showing me his collection and mood boards (which only had one beautiful picture of a misty forest), he told me that his finale gown would be a tribute to his partner and to the Gay Men's Health Crisis, hence the color red.

Speaking calmly, he said he wanted his fashion show to reflect his journey through this competition from being an angry person to someone more agreeable (though most would beg to differ). I truthfully never saw Calvin as angry…he's just direct and brutally honest (which can feel borderline abusive at times) in his want for things to be as amazing as possible (though that yellow dress from the first day was questionable). At this moment, Calvin became very childlike to me so I thought to make his show into a fairytale of sorts set in the woods.

Using his personal journey and single misty forest image, I created a montage of woods imagery that started with a dark, foggy, moody, leafless forest and end with a lush, sundrenched, green jungle of life that became the perfect backdrop for his red gown (the back of which was gorgeous). I had the models walk through a path of Kara Walker-inspired trees and low looming fog to the sounds of pianos and music box tunes. For a humbling feel, I had the runway covered completely in burlap, which the art team hand sewed together with thick black yarn…it was well worth it! The details of the runway were beautiful and matched the dreamy elegance of Calvin’s final collection.

He and I agreed that the staging should not be as antagonizing as the zombie, barefoot show from the challenge before, though Calvin may have wanted to do something slightly more aggressive if given another chance. I'm glad we stuck with this tone because I believed it charmed the judges and almost got Calvin the win. Fashion Show #2: City Slicker

Dominique, the last surviving member of Nami, was also self-reflective during my consult with her. But unlike Calvin, her journey ends in chaos. She wanted her show to be all about her a naive, innocent arriving in NYC and entering this competition with beautiful jazz-style music in her head (well, iPod) and leaving with static, noise, and confliction (could David have had anything to do with this?).

I was impressed with Dominique’s ambitious ways during the whole competition and her willingness to try new things, like making her own plaid and deconstructing those umbrellas to create a chic sheath dress. One of the pieces Dominique made that she edited out of her final collection was a tangled wired bustier and ankle cuffs that were a cool, modern touch to her slouchy chic (which I love) silhouette.

Dominique show was the most fun to build because I focused on NYC and the fast-paced vibe here. I opened her show with city sounds set to jazz, which then exploded into techno rhythms. The models were lined up in a power stance behind the LED screen as footage of the subway whizzed by (Glenda Bailey loved this). I then had imagery similar to the of old-fashioned TV static sliced into the all the footage, with the final shot of the TV (and noise) being shut off as the model exited. Her runway was a city sidewalk with grates built in (the choreography was vital here, so the models heels would not get stuck in the grates…kind of like real city life). At the model entrance I designed a wire-filled structure that was inspired by her wire bustier (which never saw the light of day). My favorite moment in her staging was the night surveillance images I sourced with the guy shadowing the model on the catwalk…so eerie, so New York!

Fashion Show #3: Mommy Dearest

Jeffrey's fashion show was the toughest of them all because his journey was inspired by his late Mother’s presence, and I had to be respectful of that. He showed me mood boards of doves and red stains the resembled blood. Then he told me the story of his now famous red gown that was designed with his Mom in mind. After my first consult with Jeffrey, I left with thoughts of heaven in my mind…would it be about angels on clouds and golden gates?

But Bravo exec (and mega sounding board) Lara Spotts, made me examine closely what heaven would truly represent to our Jeffrey. So for my second consult with him (I always had two consult with the designers before the big show), I questioned Jeffrey about his show again (he loves a chic power woman) and what heaven represented to him. While he was talking I noticed a whole other board that he never shared with me with imagery of Buddhist monks and temples. I grabbed the board, and told Jeffrey that his show would be inspired by Buddhism...freedom from suffering, Nirvana. He agreed and went back to sewing (his collection was so far behind to the point that I was worried for him).

I fine tuned Jeffrey’s presentation up to the last minute as to capture the perfect mood for his collection, because I did not see the clothes till the models were dressed. Everything looked stunning on the girls! Once I saw the hair and makeup (Mally did a stellar job) complete I thought his show needed air, so I simplified everything and had the models trot through a grey ash filled catwalk (which captured a smoky, saintly atmosphere) as if they were entering a temple. The ash would also give a more deconstructed look to his pure clothes especially on the clothes with longer hemlines (some still with raw edges). Plus Jeffrey patiently handed painted all the models shoes with white paint (as if he did not already have enough to do) so the chalky ash looked great and modern (very Rick Owens meets Donna Karan).

I had the art team paint the symbol for the word PEACE on the runway and we built a candle filled alter at the bottom of the catwalk for an OM SHANTI feel. As I had the model posed on the stage for a final tableau, I asked our lighting guy to shine one perfectly bright beam of light on the group of girls for a heavenly glow.

And it all worked! Guest powerhouse judge Mary J. Blige could not stay in her seat… she loved it so much. And Jeffrey won!