More Is More

Iman discusses her theory on accessories, her favorite pieces, and sending Eduardo home.

Bravo: This week's episode was inspired by accessories. Do you have any super special pieces you love to wear? Anything really special you've worn in the past that springs to mind?

Iman: Philip Treacy hats. Years ago I presented an award to him at Fashion Group International and he created this fab hat for me to wear that was the epitome of "eccentric" glamor.

Bravo: Do you believe in the Chanel adage to always take one item off, or do you think sometimes, for an eccentric look more can be more?

Iman: Definitely more can be more, sometimes, but you have to have a sure hand and the confidence to commit to wearing an outfit however outrageous...think of Daphne Guinness.

Bravo: We're obviously huge fans of Simon Doonan's here, and remembered this lovely window display he made on you last year in celebration of your 2010 CFDA Fashion Icon Award. Tell us a bit about how it was working with him again on this episode, and what he brought to the table?

Iman: I adore Simon, and the genius that he is we thought he would make a great judge and we were so lucky as he inspired the designers so much that they have created their best looks so far. He thinks out of the box and inspired the designers to think the same way. And by giving them the permission to do so it elevated their game, which was definitely a game changer. Bravo: This week the designers really upped the ante, and you guys commended them on the level of skill they brought to the challenge. What do you think sparked them this time around? Why was this so impressive for the judges?

Iman: The credit goes single handedly to Simon! What a difference an episode makes. I think the "wacky" but beautiful accessories he chose is what sparked their imagination, and it showcased their unique take on "eccentric" glamour. It was truly a platform for us as judges to see (maybe for the first time) who these designers are, and, more importantly, who they could become.

Bravo: The big winner was Jeffrey who made two fantastic looks, particularly the dress that you seemed to be so taken with. What about it did you love so much?

Iman: It was sexy, modern, and timeless, and we were pleasantly surprised how he has grown and really came into his own in this episode. I can't wait to see what else he will come up with. I loved that it was a dress but had a feel of a caftan and I haven't met a caftan I didn't love! It reeked of chic-ness! Bravo!

Bravo: It was a bit of a love fest this week, so what other pieces did you really adore?

Iman: I loved Cesar's Joan Crawford-esque, '40's inspired look, very dramatic and chic. Dominque's long white dress was very theatrical and gorgeous and Calvin's short cocktail dress was sexy and beautifully executed.

Bravo: At the end it was Eduardo that had to go home, instead of Dominique. What was it that sealed the decision for you guys to send him home instead of her?

Iman: Eduardo has been designing the same ruffled dress since Episode 1! I have consistently given him my advice that women don't need another dress (definitely not a ruffled one, how many does a girl need?) and instead we want clothes that inspire us. But on every episode he kept on creating a variation of the same ruffled dress. The pants looked terribly made, and showed that he is a one-trick pony (short cocktail dresses with small or large ruffles are his specialty). He was the only who did not think out of the box and didn't evolve. And no, Eduardo, trust me we will not regret our decision. Darling, you are "out of fashion"!

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Mommy Dearest

Stefan explains his process for creating the final fashion shows, including an inspiration that almost didn't happen.

So at the end of it all, two designers from The House of Emerald Syx are left standing, with dueling red "tribute" gowns, for the win! With the chaos, twist, and turns thrown at these designers, the message from Calvin, Dominique, and our winner Jeffrey was peace, calm, and self-reflective.

Fashion Show #1: Enchanted Forest

My consult with Calvin was very touching because he spoke very deeply and passionately about his dying lover of ten years. While showing me his collection and mood boards (which only had one beautiful picture of a misty forest), he told me that his finale gown would be a tribute to his partner and to the Gay Men's Health Crisis, hence the color red.

Speaking calmly, he said he wanted his fashion show to reflect his journey through this competition from being an angry person to someone more agreeable (though most would beg to differ). I truthfully never saw Calvin as angry…he's just direct and brutally honest (which can feel borderline abusive at times) in his want for things to be as amazing as possible (though that yellow dress from the first day was questionable). At this moment, Calvin became very childlike to me so I thought to make his show into a fairytale of sorts set in the woods.

Using his personal journey and single misty forest image, I created a montage of woods imagery that started with a dark, foggy, moody, leafless forest and end with a lush, sundrenched, green jungle of life that became the perfect backdrop for his red gown (the back of which was gorgeous). I had the models walk through a path of Kara Walker-inspired trees and low looming fog to the sounds of pianos and music box tunes. For a humbling feel, I had the runway covered completely in burlap, which the art team hand sewed together with thick black yarn…it was well worth it! The details of the runway were beautiful and matched the dreamy elegance of Calvin’s final collection.

He and I agreed that the staging should not be as antagonizing as the zombie, barefoot show from the challenge before, though Calvin may have wanted to do something slightly more aggressive if given another chance. I'm glad we stuck with this tone because I believed it charmed the judges and almost got Calvin the win. Fashion Show #2: City Slicker

Dominique, the last surviving member of Nami, was also self-reflective during my consult with her. But unlike Calvin, her journey ends in chaos. She wanted her show to be all about her a naive, innocent arriving in NYC and entering this competition with beautiful jazz-style music in her head (well, iPod) and leaving with static, noise, and confliction (could David have had anything to do with this?).

I was impressed with Dominique’s ambitious ways during the whole competition and her willingness to try new things, like making her own plaid and deconstructing those umbrellas to create a chic sheath dress. One of the pieces Dominique made that she edited out of her final collection was a tangled wired bustier and ankle cuffs that were a cool, modern touch to her slouchy chic (which I love) silhouette.

Dominique show was the most fun to build because I focused on NYC and the fast-paced vibe here. I opened her show with city sounds set to jazz, which then exploded into techno rhythms. The models were lined up in a power stance behind the LED screen as footage of the subway whizzed by (Glenda Bailey loved this). I then had imagery similar to the of old-fashioned TV static sliced into the all the footage, with the final shot of the TV (and noise) being shut off as the model exited. Her runway was a city sidewalk with grates built in (the choreography was vital here, so the models heels would not get stuck in the grates…kind of like real city life). At the model entrance I designed a wire-filled structure that was inspired by her wire bustier (which never saw the light of day). My favorite moment in her staging was the night surveillance images I sourced with the guy shadowing the model on the catwalk…so eerie, so New York!

Fashion Show #3: Mommy Dearest

Jeffrey's fashion show was the toughest of them all because his journey was inspired by his late Mother’s presence, and I had to be respectful of that. He showed me mood boards of doves and red stains the resembled blood. Then he told me the story of his now famous red gown that was designed with his Mom in mind. After my first consult with Jeffrey, I left with thoughts of heaven in my mind…would it be about angels on clouds and golden gates?

But Bravo exec (and mega sounding board) Lara Spotts, made me examine closely what heaven would truly represent to our Jeffrey. So for my second consult with him (I always had two consult with the designers before the big show), I questioned Jeffrey about his show again (he loves a chic power woman) and what heaven represented to him. While he was talking I noticed a whole other board that he never shared with me with imagery of Buddhist monks and temples. I grabbed the board, and told Jeffrey that his show would be inspired by Buddhism...freedom from suffering, Nirvana. He agreed and went back to sewing (his collection was so far behind to the point that I was worried for him).

I fine tuned Jeffrey’s presentation up to the last minute as to capture the perfect mood for his collection, because I did not see the clothes till the models were dressed. Everything looked stunning on the girls! Once I saw the hair and makeup (Mally did a stellar job) complete I thought his show needed air, so I simplified everything and had the models trot through a grey ash filled catwalk (which captured a smoky, saintly atmosphere) as if they were entering a temple. The ash would also give a more deconstructed look to his pure clothes especially on the clothes with longer hemlines (some still with raw edges). Plus Jeffrey patiently handed painted all the models shoes with white paint (as if he did not already have enough to do) so the chalky ash looked great and modern (very Rick Owens meets Donna Karan).

I had the art team paint the symbol for the word PEACE on the runway and we built a candle filled alter at the bottom of the catwalk for an OM SHANTI feel. As I had the model posed on the stage for a final tableau, I asked our lighting guy to shine one perfectly bright beam of light on the group of girls for a heavenly glow.

And it all worked! Guest powerhouse judge Mary J. Blige could not stay in her seat… she loved it so much. And Jeffrey won!

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