Cast Blog: #WORKOFART

Enchanted

Tearing Up

The Drama's Done

An Alternate Universe

Tiny Coincidences

Portrait of an Artist

The Town

Main Street Meets Mean Street

The Secret

On Getting Naked and Hitting the Streets

Selling Out or Buying In?

A Difficult Choice

Do You Believe in Magic?

Elimination Heartbreak

Figure Eights and Fast Lanes

Art Girls (and Boys) Gone Wild!

Eye of the Tiger Penis

The Temptation of Simon

Art (and Defeat) in the Streets

Night Owl

All the Art That's Fit to Paint

Riddle of the Spanx

The Gray Lady isn't Just for Men

Bangs, Toggle Sweaters, and Kids

The Fame

Child's Play

Kids' Stuff

How Could You?

Sex is in the Air

The Essence of the Competition

Pop Touched Me, Too

One Enchanted Evening

What's Poop Got to Do with It?

For Your Entertainment

Scat-Art-Logical Humor

When Simon Met Sucklord

It's Baaaa-aaaack!

Back to School

Isn't It Ironic?

Art History

The Final Crit

Enchanted

Simon was blown away by the brilliance of Kymia's drawings.

While the finale was the episode that I enjoyed watching most, it was also by far the one that was most fun shooting.

First of all it was such a pleasure to visit Young, Kymia, and Sara in their respective homes and to get to meet their loved ones. Driving around Chicago on a sunny day in a convertible Fiat 500 with very loud music was not too bad either.

The finale is the only episode where the contestants have plenty of time to prepare their exhibitions and have no thematic constraints of any kind. They can do their work in their own studios, are not being filmed 24/7, and are not sleep deprived.

The lack of all that pressure is not necessarily an advantage. So often in life we achieve so much more with stringent deadlines than when we think we have all the time in the world on our side. 

I wanted the finalists to do their best work ever for the finale. My visits to their homes and studios took place after already about two thirds of the time at their disposal had elapsed. I had high expectations since Young, Kymia, and Sara had all already demonstrated their talent during the competition so far. What I initially saw in each of their studios did not measure up with these expectations. This explains why I was possibly the bluntest with the artists that I had been during the whole competition.

Young was always the one who knew right from the start most precisely what he wanted to do and was very good articulating it. While, like everything he does, what he showed me in Chicago was fully thought through and extremely well executed, what he was planning for the finale was not exactly conveying much emotion. It was in total contrast to the shrine he had erected in his studio as homage to his late father. That piece was extremely moving without being sentimental and was very powerful. Seeing it made me encourage Young to fully explore the vein of that particular work. When I saw his exhibition fully installed, I was highly impressed by what he pulled together. He did an even more moving shrine for his father that was my favorite piece in the sophisticated installation he created for the finale. It was evident that it was speaking to the viewers in the gallery, and it was touching to see how China and KAWS reacted to it. Young is not only a gifted and intelligent artist, but he also demonstrated how elegant and gracious he is by the way he reacted when Kymia was declared the winner. 

Sara had built real momentum towards the end of the competition. For the finale she grew beyond herself and put together a remarkable show that, contrary to was observed during the critique, made to me a very coherent impression. At the time of my visit her intentions were still all over the place, and there was little coherence between the very large caricature works on paper and the sculptures. She replaced the works on paper that I had seen in her studio with new, very good ones. On top of that she did some new beautiful and poetic works such as the open birdcage with a flock of origami birds flying out of it, the more disturbing but equally strong lingerie done in human hair, and the imprints of the body glued to the wall. She could have chosen the safe track of doing a show mostly in her signature style that she had used in her self-portrait and in Episode 1. Instead she explored new ways of working which paid off in a very strong show for the finale. Like Young, she was very elegant in her reactions to Kymia's victory.

Kymia at various moments during the earlier parts of this competition had shown us flashes of her immense talent. I liked the way she transformed the sculpture she had chosen in Episode 1 for the so called kitsch art challenge. The work she did for the Pop challenge got her a second place right behind Young. The coffin she did with hands and feet sticking out for the newspaper challenge was good, but it was the drawing that brought her victory in the children's challenge that enchanted me. It is an outstanding drawing by any standard. Ever since seeing that drawing, I was secretly hoping Kymia would do more works of equal brilliance. I was trembling for her, since as opposed to Lola or Sara her momentum seemed to slow down a bit. There was the “key to the universe” in the car challenge that had malfunctioned and the “exchange of signatures” that while it sufficiently impressed the judges clearly had very little commercial appeal in the street vendors challenge. I did not particularly like the portrait she did of the couple of antique dealers in Cold Spring. Luckily for her I seem to be alone in that case, since that work allowed her to snatch victory in the penultimate challenge. 

When I visited Kymia's studio I was struck by the beauty of one large drawing. I was thrilled, because finally I was seeing again the type of quality that made me admire so much the drawing from the children's challenge. Turning round in the studio I saw two smallish sculptures that not only had none of the quality of the large drawing but were so unimpressive (I used stronger language on camera) that it was hard to imagine that it was the same person who had done them. Seeing Kymia's reaction to my blunt comments, I was worried that instead of motivating her by shaking her up, I had actually totally discouraged her. I advised her to try and do several large scale works in the manner of the works that I admired. She questioned whether she still had enough time to do them before the final exhibition. Not only was I very much relieved when I walked into her exhibition at the gallery; I was blown away by the quality of several of the large drawings she had done and in particular with the one of the boat with the shadow of the legs on its sail. That work to me is the very best work produced by any contestant during Season 2 of Work of Art. Kymia pulls off the feat of walking that very thin line of creating an exceptional work when it so easily could have looked corny and overly sentimental. I do hope that many viewers of the show will make the effort of going to the Brooklyn Museum of Art to see Kymia's exhibition. It is difficult to fully appreciate on television her gorgeous technique. While her drawings look impressive from afar, it is a pleasure to examine their texture and strokes close up. Kymia's technique is unique and reminiscent of her Iranian cultural heritage.

Death was the predominant theme of the three strong shows the finalists put together for the finale. Kymia, Young, and Sara each dealt with it in totally different ways. Each can be proud of what they did and how they ended the competition. 

It was great having KAWS as a guest judge for the finale. I was an admirer of his work early on and am thrilled to see how he goes from success to success. Artists themselves always bring a unique perspective to the judging of the works, and the guest judges form the ideal complement to the outstanding roster of permanent judges China Chow, Jerry Saltz, and Bill Powers.

The most gratifying thing for me personally in participating in Work of Art this season was working with the artists, host, judges, guest judges, executive producers, producers, technicians, cameramen, sound engineers, make-up artists, etc. It was fun, inspiring, and invigorating.

 

An Alternate Universe

Bill loved that Kymia's exhibit brought viewers to a new world.

I remember last year questioning why rock stars receive standing ovations. Athletes, ballet dancers, and actors, too, but where is the applause for artists? Now I know this might sound hypocritical coming from a guy who told Sucklord that Mr. Brainwash after a lobotomy would have made more compelling street art, but I really do mean it. I could never withstand the pressure cooker these artists subjected themselves to by participating on Work of Art, and I commend each of them on their bravery. 

I told Young during the finale crits that his installation reminded me how we all live three lives: our public life, our private life, and our secret life. His projected biography interweaving Korean family traditions with his first generation experience as a proud gay man was about as all American as it gets. Seeing him pay tribute to his late father echoed a famous quote from Ayn Rand about our mortality when she said, "It's not I who shall die, but the world which will end." Now that I think about it, the same sentiment probably applies to reality TV competitions. In Young's case, he mined his father's death for all the material he could get, and it rang out as personal, political, and (like Kymia's show) semi-mythological. It's a tough tightrope to tread on the path to universal appeal and the abyss of the generic is a bottomless pit. 

Sara hinted at some of her personal struggles with the mattress full of hypodermic needles of which KAWS remarked, "It kind of makes bedbugs seem inviting." She also constructed a barrier of handwritten fears hung on a makeshift clothesline blocking your entrance into her show, a limbo stick of self-doubt every gallery viewer was forced to overcome. I had hoped Sara would embrace her mesmerizing approach to watercolors, which garnered so much attention during the season from her very first gallery show of the woman being slow-roasted to the sellout challenge where her portraits did gangbusters. In my head I envisioned Sarah painting massive canvases highlighting her signature style. 

When Kymia followed that impulse for her finale show, look at the results. Wow! Aliens, twins, ancient Egyptians -- Kymia created a whole alternate universe with its own unknowable history. I urge everyone to go check out her exhibition in person when it opens at The Brooklyn Museum. How cool that her work will be hanging in the same building as Eva Hesse and Alice Neel.

As for Season 3? We will have to see if our Work of Art worked for Bravo. Otherwise I hope we might be remembered as the Arrested Development of reality TV. I'll miss you guys!