Sara had built real momentum towards the end of the competition. For the finale she grew beyond herself and put together a remarkable show that, contrary to was observed during the critique, made to me a very coherent impression. At the time of my visit her intentions were still all over the place, and there was little coherence between the very large caricature works on paper and the sculptures. She replaced the works on paper that I had seen in her studio with new, very good ones. On top of that she did some new beautiful and poetic works such as the open birdcage with a flock of origami birds flying out of it, the more disturbing but equally strong lingerie done in human hair, and the imprints of the body glued to the wall. She could have chosen the safe track of doing a show mostly in her signature style that she had used in her self-portrait and in Episode 1. Instead she explored new ways of working which paid off in a very strong show for the finale. Like Young, she was very elegant in her reactions to Kymia's victory.